Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.
Erika Diettes: Sudarios
September 25, 2016 to December 11, 2016
Colombian artist Erika Diettes draws upon her training as both an artist and an anthropologist by bringing forth work originating in the direct testimonies of the families of victims of decades of ongoing violence in her country, as well as in objects belonging to them. For her 2011 series Sudarios, she set up a studio in the province of Antioquia, a region that has endured intense violence. She interviewed at length and photographed women who had been forced to witness the torture and murder of their loved ones. As Diettes notes, “The purpose of this kind of violence is not only to kill people, it’s to create witnesses, instill terror, and control a region.” The resulting twenty photographs are intimate portraits of women reliving “the moment that divided her life in two.”
Printed on silk panels over seven feet in height, the images take on a ghostly, ethereal quality that suggests the ways in which grief can leave people “alive, but not living.” Appropriately, sudario is the Spanish word for “shroud,” especially a funerary cloak to cover a deceased body. But the word can also refer to the burial cloth of Christ to which, according to tradition, the image of Jesus’ face and body were miraculously transferred. The women become both protagonists and objects of study and contemplation, encompassing pain, loss and mourning. But more than being a testimonial to pain and death, the works also give evidence to life after horrific events. As the artist says, they are also “testaments to dignity and to the twin desires of seeking justice and honoring the dead.”
Diettes displays her work in the (frequently poor and isolated) communities where her subjects live, for whom the work often becomes an instrument of mourning and healing. Most often the works are shown in churches, so that, in the words of Charles Guice, “Diettes elevates their burden to a spiritual one, their suffering acknowledged and dignified in that most sacred of spaces. The larger-than-life-scale overwhelms us, as if to suggest the enormity of the violence that lay hidden behind their eyes, and like martyrs seeking redemption, their presence invites us to share in their burden.”
At MOCRA—only the third U.S. site where Sudarios had been exhibited—the twenty images were suspended from the nearly thirty-foot high ceiling of a building originally used as a chapel. MOCRA was honored to bring these works to St. Louis, a community in which many residents are also living with and addressing traumas both past and present. This exhibition was made possible through the generous assistance of Schneider Gallery, Chicago.
Erika Diettes (b. 1978) is a Colombian visual artist and social anthropologist who explores issues of memory, pain, absence, and death in a variety of mediums from her multidisciplinary perspective. Her work has been exhibited in unique spaces linked to re-memoration processes developed by the victims' movements in Colombia as well as at other venues, including the Museums of Modern Art of Bogotá, Cali, Medellín, and Baranquilla in Colombia, the Museum of Contemporary Art in Santiago de Chile, at the Museum of Fine Arts and the Fotofest Biennial in Houston, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, the Malta Festival in Poznán, Poland, and at CENTER in Santa Fe, New Mexico. Her work is part of the permanent collections of the Museo de Antioquia (Colombia) and the Museum of Fine Arts Houston, as well as important public and private collections in Colombia and the United States.
My work is inspired by the extremely complex social, political, and cultural situation that exists in Colombia, along with theoretical questions raised by my reaction to the unrelenting violence that my country has experienced for decades. I have decided to bear witness to that violence, and to give the victims—both those murdered and disappeared and their survivors—voice through my art. | Erika Diettes
above:
Installation view of Erika Diettes: Sudarios at MOCRA, 2016. Photo by Jeffrey Vaughn.
Related programming
Erika Diettes: Stories Told from the Threshold
Watch Erika Diettes: Stories Told from the Threshold
Erika Diettes interviewed on the St. Louis Public Radio program "St. Louis on the Air"
Semana magazine article on artworks grappling with Colombia's violence
Exhibition |
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Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 - Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 - Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Arshile Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, Maria Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist's Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol's Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn't Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |